What is Paid to Party about?

This Paid to Party record is the culmination of a big research project I undertook for a comic book. You know that I have a cartoon band that I create stories around, and I've got this huge story for them that I have been working on for... oh, it's got to be four years or more. This is going to be a huge thing about love, art, friendship, loyalty, creative vision, and the nature of reality. Sound like a big undertaking, hey? But when I would sit down to write it, I would realize that I still had more living to do.

I like my comics to be silly, but I think that what people respond to about them is the fact that there's a stream of truth that runs through them. Even though the story is going to be over-the-top, the portrayal of the music business has to be believable, being that the mechanics of The Changing Color's business are so central to the story. I have been front-row-centre to the entertainment industry for a long time, thanks to my connections in the Beatle world. I'd read lots and talked to a lot of movers and shakers. I'd even been in the inner circle of a few people who were negotiating record contracts with major labels. But I had to have the direct experience from the band's point of view. I had to know how it all comes together. I had to know about recording, playing shows, going on tour. I had to bridge that knowledge gap between the artist and the label.

At this point, I feel pretty confident that I could manage a band quite successfully if I wasn't so busy being an Artist. And at the end of the day, that's why I don't go be a manager, even though I know I could do it well. I have a calling, I am compelled to do the work that I do, and that right there is the crux of this big story that I'm going to tell with The Changing Color. And Mr. Lollipop. And the Queen, and Arthur Puctenbowler, and maybe even Benny Bunny.

And speaking of Benny Bunny, I am up to page 22 on Benny Bunny On Wheels. I think that the main story is going to be about 36 pages, and the book will be about 48. Man, if this was one of my series books, I would be finished already because those were only twenty pages!

PAID TO PARTY might sound like something boastful, but really it's a statement about how we're naturally supposed to live. We're supposed to experience joy every day and we're supposed to get money from doing what we would have been happy to do for free. I'm just doing my part for this movement that's afoot right now. I have hidden a success manual in the songs on PAID TO PARTY. Some of it was me recollecting struggles that I've been through, and some of it was me setting an intention, much of which has come to pass since I laid it down. The lay-person will enjoy rocking their party with this record. And those who watch The Secret or What the Bleep Do We Know over and over again, who know who Esther Hicks is, or who still believe in Santa Claus will find something special for them woven into it.

CLICK HERE TO DOWNLOAD THE RECORD!!!!!!

Sadie Not So Sexy

Don't it figure? It's always when you're really carried away with your work and you're really getting into it that the program reminds you that you haven't saved in a while by crashing and taking away your work. In this case, I was working in a music sequencing program, working on the music for a cover song that's going to be on my album, when the program crashed and took three hours of work with it. That's the chorus, the whole second verse, and a whole bunch of tweaking that went into it. The rare times stuff like this happens, I take it as a sign that I was going down the wrong road but still, this is particularly annoying. In face, I'm just gonna leave it alone for now and go watch a movie.

Sessions - the movie

Yesterday was great fun. I woke up way too late (about one in the afternoon) and booted it across town to go sign a contract that renews my deal with JV Productions. Took the cheque I picked up from that contract signing, put it in the bank, and went downtown. Finally, at long last, replaced the camera that was stolen last summer with a gorgeous new Canon Powershot A550. Raced home with it, checked my email, and then motored over to the recording studio where we were finally getting Tye's parts laid down on the new songs.

Here is a little documentary of the visit to the recording studio!



That movie, and the many more like it that I am going to make, was one of the main reasons why I've been feeling more and more that I needed to hurry up and get a new camera. Next project: new computer!!

The story of rehearsal

Last weekend I was in the recording studio recording the vocals for three songs. We were going to rehearse for Saturday's Edge 102 gig in that same studio, but during the day the studio is a place where they make radio commercials and our rehearsal got bumped because the Ford Motor Company had a big emergency. So after a few phone calls to find a new place, we just decided to practice in Otis' music room. Otis is filling in on the turntables while Human Kebab is off in Alberta. He's a dude I've known from the internet for ages and ages for his music and sound projects, and only recently he gets in touch with me to tell me he got married to a Canadian babe and he's living in Toronto now.

So we're in his music room and I'm playing the beat for my intro (avid fans know that I use a different instrumental every time). This time around I'm using the instrumental for Jay-Z's SHOW ME WHAT YOU'VE GOT. Otis hears it and he goes "oh, I know what that is!" I say "Yeah, it's Jay-Z--", and Otis says "No, that's Shaft in Africa". He digs through this record collection, pulls out the Shaft In Africa soundtrack, and plays the original song that Jay-Z took the sample from. Right then I knew that Otis and I are going to work very well together.