Monday, August 20, 2007

Wizard World Chicago Oh-Seven in a Series of Random Cuts

Here is a rapid-fire overview of my recent trip to Wizard World Chicago as a guest of Accidental Comics and Ed & Red's Night Party. Quick Cuts = Rapid Fire

mastees.com commercial

Mutual Adoration Society - they want to make a T-shirt about you. This woman's comments were not scripted. Her testimonials are real.

Restaurant Review - episode 2

In this episode of the new show that's sweeping the nation, Kelly would love to tell you about her dining experience if not for some surprising distractions.

Restaurant Review - episode 1

In this episode of the new show that's sweeping the nation, Shaun Downey reviews his favorite breakfast-after-a-night-of-partying place, NOON.

Wednesday, August 15, 2007

Ed & Red Do Cottage Comicon

Last weekend we went to Chicago, but the weekend before that we went to Lionshead Lakefront Resort & Yacht Club. There was a one-day comic book convention happening, and the resort was supposed to plan some things for us to do to get on camera. They didn't plan anything, so Steven (executive producer) told the CityTV camera guy to not bother coming. But my camera has a really good movie mode on it, so I started shooting stuff. Before long, a story began to emerge and I took the reins and started ordering everyone around. Next thing you know, voila! Instant classic short film.

Tuesday, August 14, 2007

Wizard World Chicago '07

Chicago this past weekend! What great fun. I was down with the Accidental Comics crew: Liana K (publisher) and Steven Kerzner (executive producer of Ed the Sock). We were in the Small Press area this time, instead of the Artist Alley. When we arrived and saw our spot in the corner across from Lou Ferrigno, we thought we were going to have a hard time attracting patrons as we were in a weird spot that was kind of awkward to get to. But, as we always do, we made it a party. Our booth was jumping all weekend. We even sold out of some of our items!

One of the most fun things was when we would go and take over the DC booth. Liana's got a few costumes that she likes to wear at these things, and the guys at DC Comics fall in love with her when she's got a DC character on. We went over when she was Bat-Woman, and she had a crowd for autographs like it was a scheduled signing. She went over as Power Girl and Dan DiDio himself (the boss at DC Comics) invited her to be a special guest of the DC Comics panel discussion.

On Sunday, after the con was over, we went out to a joint called Gino's East because we heard that they had great pizza (they do). When we got to back to the hotel, who do we see in the lounge? All of our buddies from DC again! Shout-out to Jim, John, and Steven from DC Direct, and Mike on the comics side. We hung out with them, and I think we're going to go get a tour of their office and shoot it for the show. They want to come up to Toronto and be in the hot tub too, but who wouldn't?

So all in all it was a fantastically productive and lucrative weekend. The new Ed & Red comic book (the one I edited, art directed, and drew the cover for) was a huge hit. I shot lots of video, and I've got photos on my Facebook.

Wednesday, August 8, 2007

Cottage Con

The weekend past was a lot of fun, and this weekend is going to be even cooler. Last weekend the whole Night Party crew (Ed, Liana, two dancer, a tub girl, and myself) went to Paradise Comics' Cottage Con at Lakefront Resort (apparently Hobbystar wants to take this over as well, from what I hear). We got there early on Saturday evening, took a walk around to see the place and think of some shit we want to shoot, and then it was party time. The gang headed into town for dinner, but me and Brandy stayed behind at the resort. We went swimming in the lake, then took it over to the pool and the hot tub, and then smoked some chronz-in-the-city and sat by the edge of the water. I had no bathing suit so I just swam in my underwear (the black ones with the stars on them) while Brandy went topless for fear of getting hair dye all over her white bikini top.

Sunday was the big event, and I spent the whole day taking videos of the con, Kat performing big production numbers, Mahleej getting acquainted with the locals, and commanding everyone hither and tither without actually letting anyone in one what my vision for the video was. I was just making it up on the fly and the movie I made is going to be damn cool, watch for it here.

Tomorrow I'm on an airplane to Chicago! I have a lot of errands to run today. I will take lots of pictures and videos and I'll have lots of stuff to show you when I get back from Wizard World!

Thursday, August 2, 2007

On Ratatouille and Pixar generally

Last night I had the divine pleasure of being accompanied by two lovely ladies for a screening of Ratatouille. The movie was fucking fantastic, both technically and artistically. There are spots where you look at the hair on the rats or the people, or the water in certain scenes, and it looks dead-on. They nailed it. But that wasn't even the most impressive thing about it.

The most impressive thing about the movie was the way it just dripped with passion for the message, the story, and the desire to please the audience. About half-way through the movie I got to thinking that this is a staple of all of Pixar's output. They blow the competition away every time out. When you look at what the competition is doing, there's a different feeling. Those movies are entertaining enough, and they end on an up note more often than not, but there's just an inescapable feeling that it's product. But Pixar is able to maximize their output as capital-A Art every time out. They take chances, they go the extra mile, and the work stands out as something really special while the rest are content to produce something that's 'good enough'. John Lasseter (the boss at Pixar) is never content with 'good enough', he's not even content with great. He doesn't rest until it's The Best.

This got me really passionate last night, as it's a subject I can relate to. I've alluded before to a big project I'm undertaking that's under wraps. The thing's been in-process for over a year now, and we reached a major turning point just over a month ago. The last year has been one long conversation between me and the (now former) producer about how one needs to go the extra mile I've just described if one wants to create something truly special. The milestones when the project leaped ahead and saw real, sudden progress were all when the work was coming from the heart, when we were willing to stay up late, to work through the weekend, to just do whatever it takes to do the job right. Unfortunately, most of the last year was spent working from the head, trying to outthink what some potential prospect was going to want to see down the road, and thinking that 'good enough' is good enough. Thankfully my business partner and I have control back, and may we never forget that creating something timeless is just as important as creating it in time.